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"A few songs were electronic-based tracks and others were literally Steve playing an acoustic guitar to a kick drum.
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We did a couple of sessions in LA with an old friend of ours, Karl Ryden. There were probably seven versions of each, so the process could be classed as remixing your own records. Paul Harris: "The majority of the tracks were written acoustically on this one and produced afterwards. To be doing this for so long gives us a lot to draw from." Yesterday, we were on a beach in Sardinia and the show was fantastic. "The songs are based on personal experiences and observations… I mean we're bloody lucky to still be doing this. Because we've been around a long time, there's a lot to draw inspiration from. Even if we're picking up a guitar, we know there will be a 909 underneath it or some groove that Paul sent me three months ago. SS: "Our inspiration has always been electronic music that's how we came together, because of our love for it, and that will always be the start point. In terms of your own sound and style, what was your approach to the new album Photograph? But then the backlash started, because everyone in England told us we'd sold out. "Now, the number one format for breaking your music is the license. Our lawyer in the States said that the commission for that song is a benchmark case, because people like Sting or Dire Straits - the big giants - had done that before, but it was the first time a completely unknown band had gone from obscurity to winning a Grammy.
Dirty vegas save a prayer license#
SS: "It was the first license that we'd ever done, and because the song had come and gone we were advised by our label and management to do it. Because we weren't purely DJs and went over there with a band setup and someone in front of the mic acting as lead singer, that American love of bands and rock music connected."Äid that open your eyes to the power of music licensing? Then it got on the daytime format and exploded from there.
Dirty vegas save a prayer tv#
"Strangely enough, the song connected due to America's love for TV and started to get requested on local FM stations. There was a lot of respect from DJs and the Dance community, so off we went to play some festivals and by a stroke of luck we got a license request from Mitsubishi for a commercial. People forget that the one that broke it for us in the States had already been released here. We got going in the UK, recorded an album and, as you do, released a single, but it didn't really do much. Why do you think you have been embraced more in America?